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[Việt hóa] SVN-Solomon Sans (14 fonts)
The new Solomon Sans type family includes 14 unique design styles. The font family is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc....
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[Việt hóa] SVN-Sequel (16 fonts) + Variable
Sequel 100 Black is a neogrotesque font family for forceful headlines, confident titles, and striking posters. An extension of Sequel Sans and primarily designed for...
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[Việt hóa] SVN-Ayer (8 fonts)
Ayer is an elegant condensed display typeface designed by Miguel Reyes between 2016 and 2019 for W, a large format fashion magazine. Creative director, Cian...
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[Việt hóa] SVN-Ayer Deck (8 fonts)
Ayer is an elegant condensed display typeface designed by Miguel Reyes between 2016 and 2019 for W, a large format fashion magazine. Creative director, Cian...
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[Việt hóa] SVN-Bio Sans (12 fonts)
Bio Sans is a super neutral sans-serif family for text designed by Ryoichi Tsunekawa and the whole family consists of 6 weights from ExtraLight to...
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[Việt hóa] SVN-Madera (48 fonts)
Malou Verlomme designed Madera with graphic designers in mind – drawing on his decade of experience designing bespoke type to create a versatile, easy-to-use geometric...
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[Việt hóa] SVN-Cotford (16 fonts) + Variable
New from the Monotype Studio, Cotford is a contemporary serif from Creative Type Director, Tom Foley. Dynamic, adaptable, and surprising—Cotford is a languid serif that...
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[Việt hóa] SVN-Bodoni (30 fonts) + Variable
Bodoni PT, a contemporary serif with a historical background, is a flexible type system that has fonts for both long paragraphs and extra-large size headings....
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[Việt hóa] SVN-Avenir Next (40 fonts) + Variable
The Avenir Next Variable Set font is a single font file that features three axes: Weight, Width and Italic. For your convenience, the Weight and...
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[Việt hóa] SVN-Ultra (33 fonts) + Variable
GT Ultra dances between the worlds of sans and serifs, fusing calligraphy and construction. The versatile typographic system combines the centuries-old context of serif type...
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