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Serif

[Việt hóa] SVN-Walbaum Pro (40 fonts)

First designed in the early 1800s, Walbaum never achieved the audience or acclaim it deserved – despite its easy elegance, and sophisticated persona. It’s been...
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[Việt hóa] SVN-Mrs Eaves (4 fonts)

Originally designed in 1996, Mrs Eaves was Zuzana Licko’s first attempt at the design of a traditional typeface. It was styled after Baskerville, the famous...
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[Việt hóa] SVN-Encorpada Classic (14 fonts)

Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a...
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[Việt hóa] SVN-Quincy CF (16 fonts)

Quincy's warm letterforms and medium contrast give any text a smooth, flowing motion. Small variations and human touches add charm, with Quincy's boldest weights especially...
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[Việt hóa] SVN-Geometric Slab 703 (11 fonts)

Geometric Slabserif 703 was designed by Rudolf Wolf and published by Bitstream. Geometric Slabserif 703 contains 11 styles and family package options. Nhà thiết kế:...
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[Việt hóa] SVN-Bookman Old Style (4 fonts)

The origins of Bookman Old Style lie in the typeface called Oldstyle Antique, designed by A C Phemister circa 1858 for the Miller and Richard...
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[Việt hóa] SVN-Coachella (6 fonts)

MADE Coachella is a contrasting serif font family. The Coachella serif font family will perfect for many project: fashion, wedding invitations, book, magazines, logo, branding, photography,...
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[Việt hóa] SVN-American Typewriter (9 fonts)

ITC American Typewriter was designed by Joel Kaden and Tony Stan. It is an ode to the invention that shaped reading habits and the idea...
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[Việt hóa] SVN-Schnyder Wide (12 fonts)

Schnyder was designed by Berton Hasebe and Christian Schwartz for the 2013 top-to-bottom redesign of T, the New York Times Style Magazine by creative director...
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[Việt hóa] SVN-Plantin Pro (9 fonts)

Plantin is a Renaissance Roman as seen through a late–industrial-revolution paradigm. Its forms aim to celebrate fine sixteenth century book typography with the requirements of...
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