HomeArticles by: STYLEno.1 Fonts

[Trả phí] SVN-Oz Handicraft (8 fonts) – Việt hóa

Oswald Cooper is best known for his emblematic Cooper Black™ typeface. Although he was responsible for several other fonts of roman design, Cooper never drew...
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[Miễn phí] SVN-Toruk – Việt hóa

Toruk là font chữ được sử dụng cho logo tựa phim bom tấn nổi tiếng 'Avatar 2: The way of water'. Nhà thiết kế: John...
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[Trả phí] SVN-Gazpacho (14 fonts) – Việt hóa

Gazpacho is inspired by the serif typefaces used in editorial media in the 70s and 80s. The morphology of the letterforms makes this typeface ideal for...
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[Trả phí] SVN-Geogrotesque (14 fonts) – Việt hóa

Geogrotesque is a semi modular with a subtle rounded finish typeface. All the characters are based in the same formal principle with its corresponding optical...
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[Trả phí] SVN-Effra (18 fonts) – Việt hóa

Effra’s impressive design ancestry can be traced back to one of the earliest sans serif typeface designs, but its modern outlook, clean lines, and open...
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[Trả phí] SVN-Solomon Sans (14 fonts) – Việt hóa

The new Solomon Sans type family includes 14 unique design styles. The font family is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc....
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[Miễn phí] SVN-Black Pumpkin – Việt hóa

Black Pumpkin Font is a stunning horror display font with cute and playful feels. It will be perfectly used for Branding, Logo Design, Lettering, Logotype,...
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[Miễn phí] SVN-Mother Carmel – Việt hóa

Mother Carmel is a magical script font carefully created with a touch of elegance. This font is PUA encoded which means you can access all...
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[Trả phí] SVN-Sequel (16 fonts) + Variable – Việt hóa

Sequel 100 Black is a neogrotesque font family for forceful headlines, confident titles, and striking posters. An extension of Sequel Sans and primarily designed for...
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[Trả phí] SVN-Ayer (8 fonts) – Việt hóa

Ayer is an elegant condensed display typeface designed by Miguel Reyes between 2016 and 2019 for W, a large format fashion magazine. Creative director, Cian...
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