HomePremium
Premium
[Việt hóa] SVN-Amasis (10 fonts)
The Amasis™ font family is a slab serif design, rendered with a humanist influence by the noted British graphic artist and type designer Ron Carpenter....
Đọc tiếp...
[Việt hóa] SVN-Gothiks (6 fonts)
Gothiks is a powerfull 6-weight display sanserif influenced by Texturas. The rithm and verticality of Texturas can be easily identified on the letters with diagonal...
Đọc tiếp...
[Việt hóa] SVN-Brice (18 fonts)
Brice refers to cultural products of the 80s such as music, art, literature, fashion, dance, film, that are consumed by the majority of society population....
Đọc tiếp...
[Việt hóa] SVN-Libre Baskerville (3 fonts)
Libre Baskerville is a web font optimized for body text (typically 16px.) It is based on the American Type Founder's Baskerville from 1941, but it...
Đọc tiếp...
[Việt hóa] SVN-Addington CF (14 fonts)
Addington is a graceful and reliable serif, useful in any situation. Beautiful yet practical, Addington is designed for excellence in text-heavy settings while doubling as...
Đọc tiếp...
[Việt hóa] SVN-Carpe Diem (6 fonts)
Nhà thiết kế: loyalkaspar. Nhà phát hành: loyalkaspar. Việt hóa: STYLEno.1 Fonts
Đọc tiếp...
[Việt hóa] SVN-Mont (20 fonts)
Mont is a geometric sans serif consisting of 10 weights ranging from Hairline to Black with matching italics. It supports Extended Latin, Cyrillic and Greek...
Đọc tiếp...
[Việt hóa] SVN-Beatrice (14 fonts)
Beatrice is a new kind of typeface. The family is an exploration of contrast methodologies, combining various aspects from the canon expansionist systems, inverted contrast,...
Đọc tiếp...
[Việt hóa] SVN-Quiche Sans (14 fonts)
Quiche Sans is a high-contrast, sans serif typeface with monoline stroke endings and angled stems. A sibling to the Quiche family with the ball terminal...
Đọc tiếp...
[Việt hóa] SVN-Pragmatica (28 fonts)
The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva. A spin-off from Encyclopedia-4 type family of the Polygraphmash type...
Đọc tiếp...
